textetage

- Allison Brown
- Christina Bylow
- Ute Czylwik
Dagmar Deuring
- Ginger A. Diekmann
Ortha Dittmann
- Andrea Essers
- Erica Fischer
- Marcus Franken
- Christiane Grosskopf
- Gudrun Hebel
- Till Hein
- Simone Kaempf
- Martin Kaluza
- Markus Kluger
- Manfred Kriener
- Oliver Krull
Mirco Lomoth

- Melissa Maggioni

 

- Uta Rüenauver
Barbara Schaefer
- Petra Schäfter
- Lisa Shoemaker
Kristina Simons
- Antje Stiebitz
- Jörg Tiedjen
- Katja Trippel
- Kristina Vaillant
- Anne Vonderstein
- Kirsten Wenzel
- Sylvia Zirden

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Yto Barrada: Riffs

Riffs is the first institutional solo exhibition in Germany of work by Yto Barrada, an artist working in her native city of Tangier, Deutsche Bank "Artist of the Year 2011," and artistic director and cofounder of the Cinémathèque de Tanger.


With the title of the show Riffs, Barrada is referencing the musical term "riff," the art-deco-style Cinéma Rif (now Cinémathèque de Tanger), and the nearby Rif mountains, home to insurgencies in Morocco and a splinter republic.
 
The accompanying catalog (German or English; 164 pp.) includes text contributions by Okwui Enwezor, Friedhelm Hütte, Marie Muracciole, and Daniel Soutif, as well as an interview with the artist conducted by Negar Azimi.
English edition edited by Ginger A. Diekmann.
 
Exhibition: Riffs, Deutsche Guggenheim, Berlin, April 15 to June 19, 2011

League of American Communications Professionals: 2010 Inspire Awards

The League of American Communications Professionals (LACP) just announced its 2010 international Inspire Awards for internal and employee communications. Textetage colleague Ginger A. Diekmann is the copyeditor of three of the award-winning English-language magazines:
 
"High Growth Markets"
KPMG AG
mit KircherBurkhardt GmbH
>> Platinum Award in General Competition; "Best Agency Publication" award; ranked # 3 in LACP's Top 50
 
"DB World"
DB Mobility Logistics AG
mit KircherBurkhardt GmbH  
>> Platinum Award in General Competition; "Most Engaging" award; ranked # 4 in LACP's Top 50
 
"Christophorus"
Dr. Ing. h.c. F. Porsche
mit KircherBurkhardt Stuttgart GmbH
>> Gold Medal in General Competition; "Most Inspirational" award; ranked # 9 in LACP's Top 50

Silent Heroes

Silent Heroes: Resistance to the Persecution of the Jews, 1933–1945
published by the Silent Heroes Memorial Center of the German Resistance Memorial Center Foundation

Berlin, 2010

English translation: Allison Brown 
English editing: Ginger A. Diekmann

This catalog, a translation of the second, revised German edition, accompanies the permanent exhibition of the Silent Heroes Memorial Center (also translated by Allison Brown). The volume commemorates individuals who helped persecuted Jews during the Nazi dictatorship. The exhibition and catalog show through the example of the helpers, often referred to as “silent heroes,” that it was in fact possible to save people persecuted in Nazi Germany.

They document the persecution and the desperate situation of Jews facing the threat of deportation, how some of them decided to resist the threat to their lives by going underground, as well as the actions and motivations of the men and women who attempted to help them.&nb

In View: Heinrich Böll's Novel Sketches

In View: Heinrich Böll's Novel Sketches / Ansichten: Die Romanskizzen Heinrich Bölls

published by the Heinrich Böll Foundation (Berlin, 2010); bilingual edition, with an introduction by René Böll

English translation: Allison Brown
English copyediting: Ginger A. Diekmann

Böll wrote about the development of his novels often and evidently with great pleasure—and not only with respect to the themes and subjects of his works. He also was very attuned to his own creative process, the productive act of writing itself. At the core of this process were his color sketches, sometimes very large, of his novels—what he called “a cardiogram of the existing material.”

To mark the 25th anniversary of Heinrich Böll’s death, the Heinrich Böll Foundation has published a large-format book of his novel sketches. The volume offers extraordinary insights into the writing process of one of Germany’s greatest novelists of the twentieth century. 

 

Roadmap to 1325

Globalization and new power configurations in the world have greatly changed the meaning of peace and security. Poverty, climate- and resource-related conflicts, instable governments, regional and international terrorist groups, and criminal organizations all pose a threat to security and stability everywhere. Is there a gender perspective to all this? For quite some time women’s organizations and feminist networks have been increasingly involved, putting the gender perspective back on the agenda.

Since October 2000, UN Security Council Resolution 1325 has been paving the way to greater gender sensitivity in peace and security policy. It could be a milestone for gender-equitable security policy. But up to now this resolution has not developed its own institutional strength within the UN system and the international community. This volume contributes to filling the gap in knowledge about approaches both to gender-sensitive peace and security policy.

Roadmap to 1325: Resolution for Gender-Sensitive Peace and Security Policies

ed. Gunda Werner Institute of the Heinrich Böll Foundation (Leverkusen: Barbara Budrich Publishers, 2010).

With contributions by Sanam Naraghi Anderlini, Andreas Zumach, Karen Barnes, Lynne Christine Alice, Mariam Notten, Ute Scheub and others.

224 pp., ISBN 978-3-86649-311-7

English edition: German chapters translated by Allison Brown, Sylvie Malich, Laura Radosh, and Kate Sturge.

Translated chapters edited by Ginger A. Diekmann

 

Far-Fetched Facts: A Parable of Development Aid

In 1996, the sub-Saharan African country of Ruritania launched a massive waterworks improvement project, funded by the Normesian Development Bank and with the guidance of Shilling & Partner, a consulting firm in Normland. This account of the Ruritanian waterworks project views the problems of development from a new perspective, focusing on technologies of inscription in the interactions of development bank, international experts, and local managers.
This development project is fictionalized, of course, although based closely on author Richard Rottenburg's experiences working on and observing different development projects in the 1990s.

"In this brilliantly titled and genre-breaking book, Richard Rottenburg mixes fact and fiction to offer a fine diagnosis of what ails development cooperation today. It is a new departure for cultural anthropology and for science and technology studies, and both fields will be richer for his crossing of the boundaries between them. Restoring cultural difference to the center stage of modernity, he offers a fresh, and refreshing, perspective on old problems for a new century."
—Sheila Jasanoff, Pforzheimer Professor of Science and Technology Studies, Kennedy School of Government, Harvard University

Richard Rottenburg: Far-Fetched Facts: A Parable of Development Aid
Cambridge, MA: MIT Press, 2009
Translated by Allison Brown and Tom Lampert

The Bauhaus at the Newsstand

The lifestyle magazine die neue linie (the new line), published by Beyer Press between 1929 and 1943, provided more than luxurious entertainment. It had a progressive and forward-looking concept: leading graphic designers from the Bauhaus school had a decisive effect on the look of the magazine; no other German publication of its time was so consistent in bringing avant-garde typographic ideas to a mass audience. Despite media conformity during the Third Reich, the modern Bauhaus signature – a style hated by the Nazi regime up to and during the Second World War – was largely spared the sanctions of the dictatorship.
The author Patrick Rössler provides historical context and analyzes these unique developments; the bilingual volume makes a substantial contribution to “Bauhaus Year 2009.”

The Bauhaus at the Newsstand / Das Bauhaus am Kiosk: die neue linie 1929–1943,
Kerber Verlag, 160 pp., June 2009

By Patrick Rössler; translated from German into English by Isabel Cole; copyediting by Ginger A. Diekmann

Imi Knoebel – Ich Nicht / Enduras

With the title ICH NICHT (“Not Me”), the artist Imi Knoebel gives a decisive answer to the question posed by Barnett Newman’s work: Who’s Afraid of Red, Yellow, and Blue? This publication accompanying the Deutsche Guggenheim exhibits presents the multifaceted oeuvre of Imi Knoebel, whose groundbreaking work with fundamental issues of form and color seems more current than ever. In chronological order, the book examines Knoebel’s time at the Düsseldorf Art Academy and his relationship to American art, as well as his exploration of photography, printmaking, serial works, and color; selected recent works are also included.

The 212-page catalog in English and German includes essays by Hubertus Butin, Martin Schulz, and Johannes Stüttgen, among others.
Translation from German into English: Burke Barrett; Copyediting (English): Ginger A. Diekmann; published in June 2009 by Hatje Cantz  

Exhibition schedule: ICH NICHT Neue Werke, 23.05.–26.06.2009, ENDUROS Sammlung Deutsche Bank, 04.07.–02.08.2009, both at the Deutsche Guggenheim, Berlin 

Petra Kelly. A Remembrance

Petra Karin Kelly (1947–1992) was one of the best known personalities in public life during the 1980s; an icon of the global ban-the-bomb and peace movements and a protagonist for ecology and human rights. She was willful and full of energy, fascinating and provocative. Her political passion, which was grounded in a deep compassion, swept many people away and unsettled many others. She could combine the commonplace with the universal and gave a language and new symbols to the ideas and initiatives that forced their way from the non-parliamentary into the political sphere and ultimately led to the founding of the Green Party. But all this is not just history; much of it lives on in the here and now: in the array of commitments to climate policy, gender justice, European unification, Tibet... It is worth reflecting on what has remained valuable and vital from that time until the present day, and remembering how it all started.


The many photographs in the book – some previously unpublished – trace the most important stations in the life of Petra Kelly, shedding light on what formed her and giving an insight into the origins of the Greens. Extracts from original texts by Petra Kelly elucidate not only the personal motives for her political commitment, but also the hopes, anxieties and struggles of her time. Contemporaries as well as the “future generation” express their views on Petra Kelly. Six essays illuminate her life and work.

Petra Kelly. A Remembrance
Published by the Heinrich Böll Foundation Berlin
Translated by Allison Brown

Candida Höfer – Projects: Done

For the photographer Candida Höfer, “projects” are works in multiple parts which have a planned and additive process or which are completed once they reach a definitive state. The exhibition and catalog Projects: Done draw from fourteen projects completed between 1968 and 2008. The fifteenth project is the presentation itself, which the artist has developed in collaboration with the architects Kuehn Malvezzi. In the catalog, Höfer presents projects such as Liverpool (1968), Türken in Deutschland (1979), Zoologische Gärten (1993), and On Kawara (2006/07) in a range of unusual formats.

The 240-page catalog in English and German includes essays by Markus Heinzelmann, Doreen Mende, Michael Oppitz, and Julia Voss, among others.
Translation from German into English: Steven Lindberg; Copyediting and proofreading (English): Ginger A. Diekmann; published in May 2009 by Verlag der Buchhandlung Walther König

Exhibition schedule: „Candida Höfer – Projects: Done“: Museum Morsbroich, Leverkusen, 16.05.–02.08.2009; Belvedere, Wien, 01.10.2010–23.01.2011

Dan Graham

Since the mid-1960s, American artist Dan Graham has questioned the autonomy of art and explored the role of various media in the creation or definition of art, the viewer, the medium itself, and its use. His Minimalist and conceptual works have had a lasting influence on later generations of artists. Graham’s media of choice include magazine pages, advertisements, photography, performance, video installations, and sculpture pavilions, to name a few.

In Volume 8 of the Flick Collection’s “Collector’s Choice” series, art historian Gregor Stemmrich provides an insightful history and analysis of Graham’s “media dis-positions” – the artist’s attempts to open the context of art to broader social and political questions such as urbanism, housing, language, and the intersection between perception of self and perception of others.

By Gregor Stemmrich; DuMont, November 2008. Translation from the German by Steven Lindberg; copyediting by Ginger A. Diekmann.

Survival of the Idea – Failure of the Object. Sketches and Projects 1991–2007

For this publication, Mexican artist Damián Ortega has brought together a selection of drawings that he uses to plan his sculptures and their installation in space. These drawings and designs are gathered together under the title Supervivencia de la Idea, suggesting that for Damián Ortega, the medium of drawing—in this case, particularly the designs for monumental scenarios—is as important as the realized works, if not more so.

By Damián Ortega.
Editing and proofreading: Ginger A. Diekmann. Published September 2007, English/Spanish.

Exhibition schedule: Preis der Nationalgalerie für Junge Kunst, Hamburger Bahnhof and daadgalerie, Berlin 14.9.–4.11.2007

Australian Architecture: Living the Modern

Since the 1950s, a unique form of modern architecture has been developing in Australia—a “progressive modernism,” which involves the dynamic combination of tradition and transformation. This exhibition catalogue analyzes this culture- and environment-specific architecture, using its residential constructions as a basis for examination. The scope of the book extends from detached family houses to high-rise buildings. 240 pages.

Edited by Claudia Perren and Kristien Ring.
Proof editing: Ginger A. Diekmann. Published September 2007, English.

Exhibition schedule: Deutsches Architektur Zentrum, Berlin 12.9.–11.11.2007 

Exhibition on Mildred Harnack in the German Resistance Memorial Center

From July 19, 2007, to January 10, 2008, in the German Resistance Memorial Center, Stauffenbergstr. 13-14, 2nd floor. Mon, Wed, Fri 9 am - 6 pm, Th 9 am - 8 pm, Sat, Sun/Holidays 10 am - 6 pm.

The American Mildred Harnack-Fish was a translator and taught English literature in Berlin. A member of the Red Orchestra resistance group started by her husband Arvid Harnack, Mildred was beheaded on February 16, 1943, in Berlin Plötzensee, the only American to receive the death penalty on express orders of Hitler.

Accompanying the exhibition is an extensive biographical documentation on Mildred Harnack, with numerous photos and personal documents, most of which are available to the public for the first time. They offer an in-depth portrait in German and English on the life and fate of this resistance fighter who has been little known up to now.

Translated by: Allison Brown, Karen Margolis, Andres Simonoviescz, Kate Derbyshire, Sylvie Malich.

Heinz Halm, The Shi’ites: A Short History

Translated by Allison Brown (Princeton, NJ: Markus Wiener Publishers, 2007)

This book is an updated and expanded edition of Shi'a Islam. The author, Heinz Halm, discusses events in the Middle East during the last ten years, including the situation in Iran, Iraq, Lebanon and in the Gulf States, the results of the American invasion in Iraq, and what is called the new Shia' revival and Shia Crescent. (taken from the Markus Wiener Publishers website).

Heinz Halm, The Arabs: A Short History

Translated by Allison Brown and Tom Lampert (Princeton, NJ: Markus Wiener Publishers, 2007)

In this volume, Heinz Halm offers a compact and comprehensible overview of the history and culture of the Arabs from the first references in the inscriptions of Assyrian kings to the most recent developments of contemporary Arab nations.  (taken from the Markus Wiener Publishers website).