Exhibition panels, captions, catalogs and/or articles:

Exhibition: BERLIN TRANSIT: Jewish Immigrants from Eastern Europe in the 1920s, Jewish Museum Berlin, trans. with Adam Blauhut and Kate Sturge

Exhibition for the Prince Salman Science Center, Riyadh, Saudi Arabia, trans. together with Richard Toovey.

http://www.topographie.de/en/topography-of-terror/exhibitions/special-exhibitions/#c1072

"Der Prozess - Adolf Eichmann vor Gericht/Facing Justice: Adolf Eichmann on Trial," exhibition and catalog, Topography of Terror, Berlin, 2011.

Silent Heroes Memorial Center, under the auspices of the German Resistance Memorial Center; permanent exhibition (opened in October 2008) and catalogue (Berlin, 2010).

Heroes, Freaks, and Super-Rabbis: The Jewish Dimension of Comic Art, Exhibition Jewish Museum Berlin, Editing

Jewish Museum Berlin, Learning Center Exhibition, Editing

"Kosher and Co.: On Food and Religion," Exhibition of the Jewish Museum Berlin, trans. with Adam Blauhut, www.jmberlin.de

Exhibition, "Mildred Harnack," Gedenkstätte deutscher Widerstand/German Resistance Memorial Center, trans. with Karen Margolis, Katy Derbyshire, Sylvie Malich.

Exhibition, "F.W. Murnau," Film Museum Berlin, www.filmmuseum-berlin.de

Exhibition and catalog (bilingual), A Beat of the Wing: Angels in Film/Flügelschlag: Engel im Film," Film Museum Berlin, see reading sample.

Exhibition panels, video subtitles, script translations: "Jews in Berlin 1933–45", Centrum Judaicum, Berlin, www.cjudaicum.de

Exhibition panels, "The Invention of Switzerland 1848–1998," Swiss National Museum, Zurich.

Exhibition catalog, Genizah—Hidden Legacies of the German Village Jews; German: Genisa - Verborgenes Erbe der deutschen Landjuden, pp. 66-221, Hidden Legacy Foundation (Vienna: Verlagsgruppe Bertelsmann, 1992).

Articles for the book to the exhibition: p0es1s: The Aesthetics of Digital Poetry, ed. Friedrich W. Block, Christiane Heibach, Karin Wenz (Ostfildern: Hatje Cantz, 2004).

Bataille Monument (Dokumenta), Thomas Hirschhorn

Descriptions of artwork of various artists, for Galerie sphn, Koppenplatz, Berlin

Descriptions of artwork for Marlies von Soden, Berlin

Descriptions of artwork for Christa-Luise Riedel, Frankenthal

Art catalog, Markus Blattmann, Karlsruhe

Articles on the art of Xenia Hausner, Ladies First—Second Choice (Cologne: Wienand, 2003).

"The Artwork of Doris Hinzen-Roehrig," Katja von der Bey, exhibition catalogue, The National Gallery, Bangkok, Thailand, 3-29 Feb. 1996

Map and Guide, "The Olympic Grounds: Former Reichssportfeld," Museumspädagogische Dienst Berlin.

Art history, books:

The Lure of Antiquity and the Cult of the Machine (Princeton, NJ: Wiener Publishers, 1995); German: Antikensehnsucht und Maschinenglauben: Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte, Horst Bredekamp (Berlin: Verlag Klaus Wagenbach, 1993). fileadmin/allisonbrown/lureeng.pdfSee reading sample.

The History of the Ancient South Arabian Kingdoms (Princeton, NJ: Wiener Publishers, 2001); German: Geschichte der altsüdarabischen Reiche, Klaus Schippmann (Darmstadt: Wissenschaftliche Buchgesellschaft, 1998).

Art history, essays:

"Re-staging Histories and Identities,” Rosmarie Beier-de Haan (German Historical Museum, Berlin), in Blackwell Companion to Museum Studies, ed. Sharon J. Macdonald (London, etc, 2006), ch. 12, 186–197.

"Concepts of Identity in the Reception of Abstract Art in Postwar Germany," Katja von der Bey

“Virtue of a King—Desire of a Woman: Mythological Representations in the Collection of Queen Christina of Sweden,” Veronica Biermann

"Section, Strain, and Stress: The Anatomy of Construction from Leonardo to Modern Times," Andreas Kahlow

"Mathematics in surrealism: A new allegory of mathematics?" Gabriele Werner

“'The shades of Varus are still looming and coming down on the grandchildren of Arminius with a formidable vengeance’: The presentation of the Varus battle in film,” Thomas Tode and Tom Stern, in Funde, Filme, falsche Freunde: Der Archäologiefilm im Dienst von Profit und Propaganda, ed. Kurt Denzer (Kiel, 2003), pp. 168–85